The thirty -sixth issue of the sixth edition of the theater magazine was issued, in cooperation between the Egyptian General Book Authority headed by Dr. Ahmed Behi El -Din, and the National Center for Theater, Music and Folk Arts headed by the able artist Yasser Sadiq, and the editor -in -chief of the great theater critic Abdel Razek Hussein.
In the most recent issue of the theatre journal, a Dr.
Amr Dawara on the monodrama, and a documentation of its most significant performances in Egypt and the Arab world. The study also deals with a historical perspective of this theatrical template and the fundamental ideas that depend on it, as well as the vocabulary and components of his theatrical performance, Territorial artists shows. Muhammad Abu Al-Ela Al-Salamouni writes the seventh statement of the popular theatre, which reviews two serious accidents in the heritage of the arts of A.
Iraqi critic Haider al-Asadi discusses the dialectic of the relationship between theatre and philosophy in his writings, and Ahmed Abdel Razek Abu Al-Ela discusses the unique standards for critiquing plays intended for young audiences in his.
And in a conversation between Mahmoud Qandil and Murad Mounir, Abdel-Hadi Shaalan discusses the ambiguity of the light in Al-tragedy, Hallaj’s and Ahmed Muhammad Al-Sharif writes about Dr.
On the anniversary of their departure, Hana Abdel Fattah and the director Ahmed Abdel Halim.
In his writings, Dr. Osama Abu Talib discusses the play Misunderstanding, Samia Sayed’s investigation into the phenomenon of text recycling in amateur and professional performances, Salah Al-report Houti’s on the Mansoura Festival, and a follow-up that includes Enas Al-examination Essawi’s of the rehearsals for the play Beautiful Lady in the National Theater.
Writings by Karam Jaballah concern the St.
Dr. Mohamed Shiha writes about the Candy and Rash performance in Mark’s Festival.
In the most recent issue of the theatre journal, the connection between philosophy and the father of the arts is explored.
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