If there is no bread for the poor, let them eat cakes, is a famous adage that refers to the 229th anniversary of Queen Mary Antoinette, the wife of Louis XVI, the king of France, being executed on treason charges.
The artist Elizabeth Figa Lubran, who has a particular style in sketching portraits of royal families, is credited with reminding us of the late Queen, and her paintings of Mary Antoinette and the characteristics of her personality and elegance are undoubtedly one of the most famous ones.
As a symbol of beauty, elegance, and refinement as well as a representative of the affluent Austrian civilization, Mary’s paintings played a significant role in her day. Her work was admired by her contemporaries, and she is regarded as one of the most attractive women of the eighteenth century.
Her taste in clothes and hairstyle had its echoes throughout Europe, and when she followed any new fashion that all other women imitated, the Queen of France, which was initially followed by the Rococo style of her time, developed in the wake of her love for simplicity and elegance.
Daily clothing was more modest in size while tile clothing was extremely opulent, loose, and rich in laziness. It was high hairstyles with towers and feathers and flowers.
After the birth of her first daughter, Mary Antoinette began employing a more straightforward technique in her paintings.
Like her bedroom, Mary Antoinette did not enjoy the intriguing design of the French palace. The Tianuni House reflected her affinity for the current classic style: the shapes were plain white motifs with a white colour spread.
On the 229 anniversary of the execution of Mary Antoinette .. View paintings that capture her charm.
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