The Egyptian culture is diverse and has many tributaries. Each region and conservative has its own cultural and artistic nature, which explains this diversity. Perhaps Upper Egypt is full of many unique cultural and artistic elements, which explain the multiplicity of popular heritage between folklore, biographies, popular epics, popular practises, and heritage crafts.
The Book Authority authorised Ahmed Al-Leithi.
In his book, the researcher discussed folklore in Upper Egypt and also traditional crafts and their connection to popular domination, the researcher dealt with popular practises regarding the Nile River in Upper Egypt, and the book includes many other topics. The researcher also dealt with the impact of popular creativity in the south of Upper Egypt, as well as popular practises in Shalatin and Halayeb. The poet, the well-known artist, the book, the characteristics of the southern personality that derived from this lovely river, the southern wigs of the south, and the palm tree were among the works of art and creativity generated by these individuals, and Al-Leithi was recognised by.
In his book, the researcher discussed folklore in Upper Egypt and also traditional crafts and their connection to popular domination, the researcher dealt with popular practises regarding the Nile River in Upper Egypt, and the book includes many other topics. The researcher also dealt with the impact of popular creativity in the south of Upper Egypt, as well as popular practises in Shalatin and Halayeb. The poet, the well-known artist, the book, the characteristics of the southern personality that derived from this lovely river, the southern wigs of the south, and the palm tree were among the works of art and creativity generated by these individuals, and Al-Leithi was recognised by.
According to the researcher, every town and village in the Sohag Governorate share a close connection from an archaeological point of view, as well as in terms of creativity, in the biography, money, praise, and religious chanting, where the presence of the saints’ shrines and the celebrated births that are held for them, according to the researcher.
The author discussed popular proverbs, mourners, and renovations of the Hilal biography, pointing out that many of these songs have roots in ancient Pharaonic times. She also discussed how the latter became the largest cultural and creative achievement to emerge from the south and how its influence went beyond the borders of Egypt.
The author also discussed the art of the Aswan geographical palm, which has roots in the Pharaonic era and is unique to Sudanese and African heritage. He also spoke about the art of waw and its most significant pioneers, stating that this art’s homeland is the governor of Qena and that those who live there inherit it. From the son of the bride of Sheikh Ahmed Al -Fadawi, as well as about the art of logging and the players of the stick, indicating that the game started in Egypt with the beginning of the message of the Prophet Moses in Egypt, where the giants of Qena were transmitted and spread
.
I read to you “Popular Culture in Southern Egypt,” a persistent folktale from the time of the Pharaohs.
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